An archetypal analysis of technical images in the transposition of the Velho Chico
Keywords:
Archetypology, Technical images, Ecology of images, Human EcologyAbstract
The images captured by cameras and media devices go beyond mere technical records; they reflect a collective imaginary shaped by political, historical, natural, and sociocultural factors. This study aims to analyse how these images, produced through media technology, are rooted in an imagination structured by universal symbols known as archetypes. To achieve this, we adopt a symbolic hermeneutic approach from the Anthropology of the Imaginary, employing a qualitative, descriptive, bibliographic, and documentary methodology. Archetypology is used to examine the role of creativity and imagination in the production of these images. As empirical material, we analyse four television reports from 2007, 2017, 2020, and 2021 on the transposition of the São Francisco River, addressing both protests and celebrations surrounding the completed projects. The study reveals that technical images transcend their functional aspect, playing a central role in symbolic creativity. This process led to the conceptualisation of an Ecology of Images, wherein visual representations do not merely reflect reality but actively shape and are shaped by biological, cultural, and ecological dynamics.
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